Simon Stephen’s RAGE is a vivid collage of a pre-BREXIT society on the edge, performed in English with Greek surtitles.
“I’m not scared”
As the clock strikes twelve on the streets of Manchester the celebratory mood turns into violence, racism, marriage proposals and the opening of portals.
Enter the madness and get whisked into the hedonism of youth.
“Milos International Dance & Theater Center” AMKE presents a show that runs through time, starting with the “Iketides” of Aeschylus and reaching the femicides of our days. Iconic but also everyday female figures cross the stage through the memory of the Narrator (Filio Louvari) who manages the dramatic material through speech and contemporary dance. The heroines speak with directness, emotion and humor about their own history, speaking, ultimately, about the history of Greece and the Woman in it. A show that promotes the dialogue about the position of women today and aspires to deconstruct her stereotypical gender role.
This play is performed in Greek
STAGE COMPOSITION FOR VOICE, BODY AND FLAG
A woman does housework. She spreads the laundry, sweeps, cooks. It may be from Argos, where the Danaids, chased by their cousins, arrived. She may once have been told a joke that offended her and never responded. She might have heard that she’s a badass because she can’t peel a potato or that she shouldn’t go to the beach with that body. But she knows. She knows within herself and realizes that she does not want to be what she is forced to be. Neither slave nor mistress.
SUMMARY
What does a throne represent? Why did the Danaids leave Egypt? What happened on the islet of Ro from 1927 to 1961? Who does the laundry? Who goes out to the mountain? How many ways are potatoes cooked? Who makes these jokes? Memory and oblivion, fragments of texts, women’s stories and historical documents compose the “Monument of Femininities” of yesterday that are ready to climb on its rocks here and now.
PREVIOUS PERFORMANCES
– 2022: 29th Festival of the Municipality of Milos and project “Pleureuses et Floraisons” / Newtopia 10.5 of the Omnivion group (short version, in French)
– 2023: Sifnos “Small Festival on the Pier”, Milos Festival “From the Sea”, Kimolos Municipal Cultural Events
– 2024: Nicosia Dance Roof, “Encounters” Festival of the “Incorporeal Forces” Group
a man can break
an original dramaturgy inspired by peter handke’s “kaspar” and heiner müller’s “horatio”
a performance of self-effacement
a coup breaks out in a peaceful city. in one night, three sisters are forced to change their way of thinking and speaking in order to survive in the new regime. in order to be liked they stop judging, they forget how to think, they give up their ideology. they become the same, clumsy and violent.
director’s note
can i maintain my ideology against survival instinct? do i have an ideology we tell a story of linguistic torture, in which three people are transformed to be useful, smoothed and blunted so as not to annoy. they undergo the invention of typography: their uniqueness is eliminated, they become interchangeable and replaceable. But were they ever truly unique? there is a mechanism that grinds and transmutes, a mechanism that I have unwittingly admired and served. and now i need to exorcise him
director bio:
Konstantinos Avramis was born in 1998 and grew up in Athens. studied philosophy (Ekpa) and is a final student of the postgraduate program comparative dramaturgy and performance research (Frankfurt/Helsinki). has been involved in playwriting (Kakogiannis Foundation, Marori Theater), acting (Attis Theater), and directing (Mikri Academy). as a dramatist he has worked in theaters in Greece and Finland and in short films, he is a founding member of the Protosi Theater Company. the text of his first complete work “holy agony. on the loom of Eva Palmer Sikelianou” is published by kappa publishing house
April 24-25, 2024
1, 8, 13-14, 20-21, 27-28 May 2024
3-4 June 2024
Extra performances from the 17th to the 19th of June at 21:00
This play is performed in Greek.
We wanted to talk
to create order.
I wish there was some beauty
in a world full of chaos, darkness and noise,
like the one who surrounds us.
Because there are things that happen
and things that happen.
And great loves always happen
and they never happen.
Abelard and Heloise is a play based on a medieval story that
it has taken on the characteristics of mythology. One of the most touching love stories took
flesh and bones in modern Greek drama by Yiannis Kalabrianos. A hymn
to eternal love, to elusive happiness, to the chaos of despair. Two lovers
they are sanctified, exalted in their effort to remain faithful to each other against each other
in the world, in the distance and in themselves. Two heavenly bodies, heading towards
their inevitable meeting and at the same time fatal collision, to seduce us as well
us in their unstoppable orbit. A deeply poetic work, written so unconventionally
as well as this love. A group of young actors come on stage as a dance, for
to tell this first love story as if it were the last. To continue
great loves to be sung till the world fades away.
Special thanks to Aggelos Triantafyllou for providing some of his music from the 2014 performance of the same name.
The performance was presented as part of the Graduate Examinations of the Directing Department of the Drama School of the National Theatre. Since then we have created a stable team and the show is developed and modified (dramatically, musically, scenographically and acting) through rehearsals as well as personal work of the actors.
Information about the project
Leonidas Oikonomidis was born in the early 1990s in a seaside town in the Peloponnese. Leonidas is born on stage by the actors. He loves pop music, the sea and wants to be a swimmer. At some point he needs money. He will look for them in various types of credit institutions. For security if he cannot pay his debt, he will be asked for something valuable. The blue notebook. The blue notebook is his main object of memory, as he writes there from a young age about everything that moves him and does not want to be lost in oblivion.
The project mainly draws its references from the Millennials generation. They are the generation that studied and started looking for work during the crisis years. The anxiety of running away from the parental home, economic dependence and parental/societal projections regarding the profession and personal life determine her today significantly. Between absolute reaction or absolute submission, she is called upon to find her own voice and become visible in today’s Greek reality. What is the collective memory of this generation? How does financial insecurity refine the romance of youth and how do we react to it?
We are pleased to inform you that the multimedia site-specific performance WALKING IN LIGHT, conceived and directed by Elena Zervopoulou and produced by Diversity United, under the auspices and with the support of the Ministry of Culture, will appear for the first time to the public on March 17 at 19.00 – 20.00 at the Plyfa theater.
It is an interactive performance with the audience, a site specific performance inspired by the testimonies of young refugees that is combined with video projection and live music and reveals their inner journey highlighting their resilience.
Starting from their arrival from the sea at the first door of Europe, Greece, it traces their emotional path as it emerged from experiential workshops of video, physical theater, dance and music.
Guided by Mustafa’s poetic narrative in the video-dance (filmed in Southern Italy in the first part of the triptych), the performers embody their experiences and allow us to penetrate their inner journey, where with a beacon their resilience, the human connection and solidarity, they discover the path that will lead them to the light. Will the local community become a fellow traveler? By placing the audience at the center of an experience of welcome and acceptance, we challenge them to take a stand, raise awareness and find different solutions.
“Walking in Light” trusts human potential by shedding light on the values of tolerance, respect and social justice. Overcoming their difficulties symbolically through the “Mysteries of Passage”, the refugees share with the public extroversion and optimism. Highlighting and recognizing the resilience of those who have suffered is cathartic for the wider society as well.
Free contribution on the ground to support the project will be greatly appreciated!
Diversity United
Through art and social innovation we promote equal opportunities inclusively and march together.
Our goal, the empowerment and social integration of mainly women and young refugees, through experiential art therapy workshops with an ethno-psychological approach, for a better, more inclusive world.
With the resulting participatory cultural projects (interdisciplinary performances, video-dance, VR films, documentaries, cross-media platforms) we raise awareness and mobilize the rest of society around social and climate justice, focusing on human rights, intercultural dialogue and solidarity. We create digital platforms and applications promoting inclusive social and environmental solutions.
www.diversityunited.net
Instagram | Facebook | LinkedIN
Founder: Elena Zervopoulou (ethno-psychologist, director of the show)
Greek-French with studies in Paris in ethno-psychology and directing (postgraduate degrees in Clinical Intercultural Psychology and visual anthropology), she provided systemic psychological support to immigrant families in Paris and to unaccompanied refugee minors in Southern Italy. He was a UNESCO consultant in Paris for the socio-economic integration of “street children” in Madagascar. He founded the production company One Vibe Films based in Italy, with which he wrote, directed and produced social documentaries for international television stations (BBC, ORF 3, RTE, NRK, SKAI, Catalan TV) and NGOs. Stand out are “Sea Gypsies” (part of the BBC’s “Why Poverty?” TV campaign that was shown in 200 countries), “Greece: Days of Change” (nominated for two awards at international festivals, distribution on European channels and in 60 cinemas of Spain), “BeLeaf” (virtual reality film for the European Capital of Culture Matera 2019), “VoiceUP”, “SolidViews” (cross-media platform), “Walking in Light” (site-specific performance). Mostly shot by herself in marginalized indigenous communities in Southeast Asia, Africa or Europe, she captures stories that restore the dignity of “forgotten” people, seeking to break down any stereotypes and bridge worlds through cross-cultural empathy and the promotion of human rights. Founded Diversity United in Athens in 2021 to empower vulnerable groups through art and co
A performance of physical theater in the concept & conception of the JEUDi team
Directed by: Korina Kokkali – Simon Gleave
The performance ROBA is about two human figures traveling through time. A strange game of hide and seek, through the multiplicity of different faces and forms, they move back and forth in time, on and off, in a space that is composed and decomposed with the help of a third mysterious creator.
A leak. A song. A disease.
ROBA is a Physical Theater performance that plays with image, sound, light and darkness, exploring the world of “care” and the possibility of finding redemption through illness. If we lose everything when we get sick, then can illness itself become an example of freedom?
The show is based on a record of gestures, sounds, images and experiences of caring for someone very close to us. ROBA “translates” these fragments into a ceremony of play and freedom.
The project is the result of four years of research and the collaboration of a wonderful group of artists, friends, care experts and “hidden” forces. The wider research, entitled ‘Parea’, around Parkinson’s and Dementia, includes a series of workshops for patient carers, professional and non-professional, and their family members. The research involves artists, therapists and neuroscientists. Collaborators: Clod Ensemble-Suzy Wilson, David Glass Ensemble-David Glass, Stephen Lenzi, Louisa White, Chrysoula Tsipa.
We are grateful for the support of Arts Council England, the Elizabeth Georgoudis Ballet School, the Clod Ensemble and all the donors who helped us make this project happen.
William Shakespeare’s grand and cheerful dream drama confronts the viewer with the question of believing in the impossible, the musical soundscapes of nature, the dream world of everyday life and the poetry that fills people’s lives with love.
*The performance is under the auspices of the Ministry of Culture and is subsidized.
Director’s Note
Shakespeare’s writing is an inexhaustible source of mystery, as you work on this work, you see more and more doors, you are called to choose this one time which one to open.
Two worlds, one on the surface, the other very internal, untransmitted, where pure poetry is.
Shakespeare has created something innocent and dreamy, like children who make exotic worlds under the table in the living room, bring chairs for walls, pillows, a cloth to hide.
He doesn’t explain, he doesn’t rationalize, you just feel and create with him and with the actors, that’s the magic of the play.
Alkinoos Doris
BLUE by Anna Lemonaki comes for the third year from Geneva to PLYFA for a few performances.
It is a contemporary performative work where language is mixed with music. An actress and a musician tune in and bring the viewer to the heart of the personal truth hidden behind anxiety.
Man has always felt stress. However, we notice the generative causes of stress changing over the years. It’s different to be anxious because you learn that the Earth is not flat but round and afraid of falling into space, than to hear your heart beating faster and faster thinking you’re going to go into cardiac arrest.
Contrary to earlier times, where ignorance was what threatened man by causing him fear and anxiety, today it is over-information. BLUE is a performance that deals with endogenous and exogenous stress, its psychosomatic symptoms and the vulnerability of the individual . With a text as raw as poetic but also through the energy of rock and roll, the author of the play and actress on stage, Anna Lemonaki, exposes herself with disarming honesty, claiming to share universal but often unacknowledged questions .
The dominant element of the show is water which nourishes everything and forever. A source of life and rejuvenation for nature and man, a symbol of purification and purification, water in continuous flow preserves and cleans the environment inside and around us, mobilizes the body and benefits the soul in many ways.
BLUE is the first part of a theatrical color pentalogy created by the theater group “Bleu en Haut Bleu en Bas” (Blue Above Blue Below) based in Switzerland and first presented in 2016 in Geneva. Since then, he has been hosted on theater stages in Greece, Cyprus, Switzerland, France, Lebanon, and at major international festivals (Festival La Bâtie, Festival Plein Tube, etc.). and will be performed at the Teatro de Barrio, in Madrid, in 2024.
After the success of her last project G.O.L.D. premiered at the Festival de la Bâtie in August 2022, Anna returns to Greece with Blue for a few performances only
In Switzerland, after Blue, Anna uploaded Bloody Fuchsia, White, G.O.L.D. (Glory or Little Dreams) and is now preparing Black – What a Beaty-Full Catastrophe which will be staged at the Comédie de Genève in 2025.
At the same time, she is preparing her first choreographic project and film Kiss and Fly.
Excerpt from the text
“Who’s afraid to swim over seaweed? Who is afraid of his tears? or smile more than he should? Old age? The aging dreams? Unemployment? And of course I’m talking about emotional unemployment. Responsibility; Bringing a child into the world? tell your child the truth? Open your palm and let your child fly wherever his appetite takes him? Do you forget the child you once were? Say No and support it? Say yes to risk. Say sorry when you’ve messed up. Sorry, I was bullshitting. WHO IS AFRAID TO OPEN THEIR EYES AND LOOK AROUND? To experience the happiness that knocks on your door? To open the door, to live a passionate love, do you remember when you were fifteen years old how you blushed in seconds on the cheeks, chest and hell?
WHO IS AFRAID OF LIVING A HORMONICALLY ALIVE LIFE?”
Anna Lemonaki’s note
40 million European adults aged 18 to 54 suffer from anxiety disorders. What happens when we suddenly become cautious about life and instead of living it we become mere spectators? Our first urge is to dive into the sea, but the water is cold. And we don’t want to take the risk of an ocean flu. We are careful and deprived of the ocean. I feel the need to state that anxiety disorders in any form should be a public issue and that is why I decided to do this project. The more and openly we talk about the faces of anxiety (panic attacks, phobias, post-traumatic stress…) the easier we will understand that this black surface at the bottom of the sea is nothing but seaweed and nothing else. BLUE is a manifesto of words and sounds against the stigma that accompanies mental illness.
Every creation is for me an opportunity to take a risk. I take risks by choosing subjects that scare me. These are topics that I find dizzying. In my work as a director, writer and actor I always work focusing on contrasts. Passing from certainty to uncertainty, from tenderness to cruelty, from a narrow passage to a vast space, from romance to vulgarity, from silence to scream, from tension
BIOGRAPHY OF ANNA LEMONAKI
Anna was born in Athens. It grows in Panama, Crete and Athens. He obtained a degree in Political Science in Athens and Bergen in 2006 and a master’s degree in Sociology and Media from the University of Friborg. He studied at the Serge Martin Theater School (Geneva) and graduated in 2013. He attends workshops with Susan Batson at Interkunst (Berlin, 2014 and 2017), with Andreas Manolikakis (President of the Actors Studio, New York) in Athens and with Damian De Schrijver (TgStan, Belgium) in Geneva in 2018. Followed by CAS in Acting and Text Dramaturgy at HETSR and the University of Lausanne (2018-2020).
Anna performs roles for Lena Kitsopoulou in Haire Nymfi (2013), Red Riding Hood – First Blood (2015) and Cry (2018-2021) at the Saint-Gervais Theater in Geneva and at the Techni Theater. He collaborates with, among others, Philippe Quesne, Nikos Karathanos, Adina Secretan, the theater company Cie Daniel Blake for the theater venture Opa (2nd prize – PREMIO 2017). In the cinema he plays the lead role in the film La nuit est encore jeune [The night is still long], directed by Sri Lankan native Indika Udugampola (Promising Director Award at the Colombo International Festival, 2015). She founded the experimental theater and music company Cie Bleu en Haut Bleu en Bas together with the musician Samuel Schmidiger (2015) and presented the first two parts of her quintet, BLEU and FUCHSIA SAIGNANT at the La Bâtie festival in 2019 and the third part BLANC ( SSA Prize, 2020) in Le Grütli (2021). Presents the show P.E.T.U.L.A. bye bye (2017) at the Saint-Gervais theater and at KET in Athens. She is invited by Le Poche theater and directs the play SAPPHOx, written by Sarah-Jane Moloney (2020). In 2002 he presents the G.O.L.D. at the La Bâtie festival. He works as a writer and dramaturg for the dance work Bis N.S (as usual) by the choreographer Ioannis Mantafounis at the Lyon Opera (2021) and the work A la carte at the Frankfurt Dresden Ballet Company (2023). In 2023/2024 he makes the dance-climbing performance and film Kiss and Fly in Leonidio and Tarifa and prepares the play Black : What a Beauty-Full Catastrophe (2025, Comédie de Genève, Geneva).
Interviews
LIFO
She writes and directs her plays herself, but the process that makes her happy is the second one, being able to compose her performances collectively and on stage. She is the only Greek woman active in the theater this side of Switzerland and I ask to know what this means for a foreigner, how she approaches the system.
EDITORS’ NEWSPAPER
For those of you wondering why the name is unfamiliar to us, the reason is simple: Anna has been based in Geneva for many years. There, in the context of the historic La Bâtie Festival, she presented her new work “G.O.L.D.”, a study of failure with poetry, humor and sensitivity, and a brilliant group of performers – we hope to see it in Athens.
Immediately after the last performance, in the heat of the moment, in the courtyard of a wonderful theater by the river, we talked about its progress. Here is Anna Lemonaki, a charismatic artist of the diaspora.
Critique
ελculture
Although the description of the – indeed bleak – theme of “Blue” could lead one to expect an almost unpleasant sight, this is not the case at all. This very closeness that its creator establishes between us and herself, leads to a redemptive condition. Like our fears, placed through her touch next to the fears of others, but also our own us, to be eased. As if the very democratization of trauma exorcises it. As if this moisture flooding the scene creates a matrix within which we can safely expose ourselves. And if the tension still brings a tear to our eyes, the most likely thing is that we will leave the room with a smile.
Maria Laina’s play “The Food”, after a successful cycle of performances (2018-19), is staged again, at PLYFA, directed by Dimitris Lioliou.
This play is performed in Greek.
15, 17, 22, 23, 29 & 30 March 2024
5, 6, 12, 13 23 & 30 April 2024
Eating in the theater is usually not allowed. Beyond the purely biological, the human need for food reveals and refers to more than one form of hunger. A powerful and idiosyncratic text of modern Greek drama for six unique performances.
Director’s note
An open dialogue about what we define as food. “Food is our innocent victim and we have to acknowledge that.” A death, the affirmation against life. How do we perceive this loss and how violent can the moment of coming of age be for each of us? What did we have to sacrifice and what did we substitute? The cannibalism of the self. The projections, the symbols and how abusively we swallow all that we feel in order to survive, to be satisfied. Two parallel and completely different testimonies that, while at first glance, do not converge, compose a pattern for how man perceives and deals with a traumatic experience.
The poet Maria Laina, on the occasion of the first upload of the show, said:
“However, I am impressed that a young man, with a lot of appetite, like Dimitris Liolios, was interested in such a text; wild, by the way, that has to do with loneliness and madness, with what we say or what others they say two in one. In the text, of course, the opposite happens, we have one in two, a schizoid condition. I confess that his glance excited me with curiosity and astonishment, and his overflowing enthusiasm persuaded me to leave it in his hands.’ (Interview on Sunday’s BHIMA)
For “The Food” they wrote
Katerina I. Anesti “Food, love, dominion, death, annihilation and again food, pleasure and rejection, and the unknown, the familiar and the unspeakable. Pollutants from the stage and Liolio and Lilikaki. You don’t see blood, flesh. But it’s there.” (protagon.gr)
Ioanna Vardalahaki “And after everything has been eaten, others, time, love, man turns to himself.[..] The heroes and their speech are the meaning, the performance and the scene.” (clickatlife.gr)
Kostas Zisis “A melancholic but deeply and essentially focused performance: a hymn to the Sisyphean suffering of man, to his eternal hunt for survival in the world: to the conquest of food and love. Because that’s the only way we survive.” (all4fun.gr)
Maria Mari “Without any image or stage object, it presents the viewer with this salivation, which accompanies the feeling of hunger and need, the vital need for food.[…] Sensation, pleasure, morbidity, melancholy , utter solitude, desolation.” (theatromania.gr)
Argyro Bozoni “Excellent work. Nice to get ahead of those who will say that such texts are difficult in the theater. No, they are poetic and easy, they tell a story that concerns us and we all know it.”
Dimitris Fallieros “You are struck by a show that talks about things that are not easy: about all forms of hunger, about love, about human psychosis, about the power of habit, about loneliness[.. ].’