
MAHLER · BRAHMS · BARBER
conducted by Maestro Maria Bazou
PROGRAM
Gustav Mahler – Kindertotenlieder (1901–1904)
Duration: 80′ (without a break)

PROGRAM
Duration: 80′ (without a break)

The performance The Land of Wanting More returns to PLYFA in January 2026 in its new version: with live electronic music, a pulsating body, and an even more liberated approach to female sexuality.
After its sold-out presentation at PLYFA last year, and its subsequent transformation into a short film — screened at international festivals such as the Beijing International Short Film Festival, Filmfest Düsseldorf, Rome Independent Film Festival, Balkans Beyond Borders, among others — the work returns to the stage as an experiential and continuously evolving experience.
The Land of Wanting More is an artistic research project on the decriminalisation of female sexuality, desire, need, and memory. The work draws material from personal narratives, improvisations, films, and theoretical references, while its dramaturgy is composed as a mosaic of speech, movement, sound, and image. The audience is invited into a landscape where narration is fluid and desire is not presented as a stereotype, but as a political and existential act.
In this new version of the performance, theatricality is transformed, taking on more “concert-like” features. The live electronic music composition by Stratos Sterianos, as an active body of the performance, creates a space where intensity, sound, body, and desire merge.
The performance raises questions around exposure, trauma, pleasure, violence, and the power of self-determination. Female sexuality is presented not as a “subject,” but as a field of experience, conflict, and emancipation.
A celebration of desire, but also a deep dive into its dark, contradictory, and fragile zones.
(Warning: the performance contains references to and descriptions of sexual violence.)
Duration: 55 minutes

Duration: 12:00 – 00:30
Important Note: Participants attending the yoga classes need to arrive at the venue 20 minutes before the start.

Ars Moriendi Theater Group Presents Ödön von Horváth’s “SLADEK”
Following a successful three-show run last season in Thessaloniki, Ars Moriendi Theater Group presents the political drama “Sladek” by the Austro-Hungarian playwright Ödön von Horváth in Athens. The play depicts the rise of fascism in the Weimar Republic, as engineered by the paramilitary “Black Army.”
Von Horváth’s play is set during the interwar period and the Great Depression, when inflation, unemployment, famine, poverty, and homelessness plagued Germany and drove people to desperation, providing an opportunity for extreme political groups, such as the Nazi Party, to win the hearts of the defeated and the poor. In Sladek, we see how social conditions lead “small” people to desperate acts and heinous violence, paving the way for dictators and fascists who exterminate anyone who stands in their way: women, homosexuals, Jews, communists, democrats.
The work predicts with terrifying accuracy the cycle of violence that was about to spread across Europe. The fascism of 1920s and 1930s Germany is no more, but History today creates similarities that urge us not to be complacent. Online hate speech, the impoverishment of language, femicides, xenophobia, homophobia, and television and internet populism compose the Eternal Fascism, as Umberto Eco calls it, which feeds on the natural fear of the different, on the feelings of humiliation of vulnerable social groups, and on our primal need to be heroes in our mundane lives.
“The hero,” however, “of Eternal Fascism is impatient to die,” and “in his impatience he usually sends other people to their death” (Umberto Eco). This is the story of Sladek and his comrades.
The production Sladek is presented under the auspices and with the financial support of the Hellenic Ministry of Culture and the Goethe-Institut Thessaloniki.
Duration: 80 minutes
Suitable age: 14+

Minas Paspalas Live
Guest: Marianna Katsimicha
Minas is a young singer and songwriter—you’ve probably come across him in the backstreets of Athens, playing and singing with his guitar. His first full-length work is being released soon, and he’s coming to PLYFA for a live show where he’ll present songs from the upcoming album, along with other favorites. Joining him for the evening is Marianna Katsimicha, the girl whose melodic voice heals every memory. We’ll be waiting for you there!
Duration: 2 hours

Christmas Bazaar Stray.Gr
Organization for the Protection and Welfare of Stray Animals “Stray.Gr”
With great joy (and even more wagging tails), we invite you to the Christmas Bazaar of Stray.Gr!
Come shop for unique, handmade, and special gifts, meet our team, laugh, help out, and of course, immerse yourself in the cutest Christmas spirit!
At this year’s Bazaar, you will find:
Your favorite 2026 calendar
Lucky charms that defy Murphy’s Law
Our raffle with fantastic prizes: your favorite tradition turned into a cult favorite
Items for your dog and cat, because under the tree there’s always a gift for our most loyal friends
Handmade dog-and-cat jewelry & decorations
All unique products from Stray.Gr: hoodies, t-shirts, bags, mugs & bandanas
New & second-hand books at excellent prices to feed the mind
And of course, a buffet with sweet & savory treats, made with lots of love by our volunteers
Come with your friends (and your dogs, of course!) for a wonderful stroll in the city center, do your shopping, and help stray animals!
Our Bazaars are the main source of funding for our work, as we receive no government support.
Duration: from 10:00 to 22:00

8
Anema Dance Company
The dance performance “8” draws inspiration from Kandinsky’s compass — a symbol of inner orientation within a world that shifts, chatters, and is reborn again and again through its own forms.
Through rhythm and transformation, the body becomes the painting itself: it carries the colors, generates the shapes, inhabits them. Information overflows, deconstructs, rebuilds. And there, at the threshold between order and chaos, the joy of the moment is born — the simple, almost childlike delight of being part of the space, the canvas, the movement itself.
“8” cannot be explained; it simply breathes.
Like a color that changes with the light.
Like a shape that is born anew each time.
Duration: 40 minutes



Building Bridges to Greece
Α bold exploration of sound and collective truth
You are cordially invited to Building Bridges to Greece (BBG), the first cycle of which presents four new works for solo bassoon by daring composers based in the USA and Europe. This music performance includes electronics, lights and musiktheater, in an original spectacle. The music of Stratis Minakakis, Konstantinos Baras, Michalis Paraskakis and Niki Harlafti draws inspiration from their Greek heritage and contemporary Greek reality: from the transcendence of ancient Greek hymns and temples, philosophy and mythology, to the challenges of life in modern Greece.
Building Bridges to Greece (BBG) is a global initiative by virtuoso German-American bassoonist Ben Roidl-Ward and Greek composer Niki Harlafti aiming to promote Greek composers internationally, through the commission and presentation of exciting contemporary classical works and multimedia performances involving the bassoon.
A brief, open discussion with the creative team will follow.
Michalis Paraskakis, Elephant’s foot or Pyriphlegethon
Stratis Minakakis, …hypnon apo glefaron skedasei glykyn…
Konstantinos Baras, Allegory
Niki Harlafti, The Blood of Others
A concert production by Building Bridges to Greece (BBG) and the Greek Composers Union (GCU)
The event is held under the kind sponsorship of the Luminarts Foundation (USA) and the Hellenic Composers’ Union (Greece), under whose auspices it takes place.
Suitable age: 15+
Duration: 60 minutes without intermission, followed by a 30-minute discussion with the creative team.
Entry is permitted only between works.
Health & Trigger Warnings
Health Warning:
One of the featured works contains flashing lights and loud sound effects, which may affect individuals with light or sound sensitivities.*
Content Warning:
Another work includes artistic references to murder, violence, accidents, and complex political issues. Such material may cause distress or discomfort to some audience members. For your well-being, please take this into consideration before attending.*
*Relevant warnings will appear in the event program, and attendees will have the option to exit the performance if needed.