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Archives: Events

1Year ΤΕNSILE Gathering

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1Year ΤΕNSILE Gathering

 

1 Year, 5 Seminar Cycles, TouchDesigner, DJing, Artworks & Lighting Design

We close the year with a showcase featuring the works created throughout the year, while two new workshops will also take place in the venue.


16:00-17:30 Introduction to Max MSP: Patching Sound and Data
17:30-19:00 The Age of Slop: A workshop on demystifying AI in artistic production
19:30-21:00 FLOKOSH
21:00-22:30 APU NANU
22:30-00:00 CHERRY DISTRESS
&& TENSILE ART AND INTERACTIVE INSTALLATIONS SHOWCASE
PRESALE VIA REVOLUT: https://revolut.me/panoulis
(or contact us [email protected])

S_ words

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S_ words

The inclusive dance group Artogether presents its new performance, S_ words. Nearly two years after its last production (Tricky Little Games), the group returns with a dynamic new work that moves between movement, words, and sound.

The title of the piece plays on the words “words” and “swords.” In a time when spoken language is considered the primary vehicle of human communication, trusting that we can communicate through the body, through sound, through our gaze, becomes a battle—a small act of rebellion. In S_ words, we experiment with disrupting familiar tools of communication in order to invent our own shared language.

Movement, words, and sound emerge from the same collective body as elements of a single world. Words that carry meaning yet signify nothing, words that transform into sound, sound that becomes movement, movement that generates words—all intertwined in a dance that is created and dissolved at the same moment. A strange polyphony, a hidden language revealed through the movement of bodies, celebrating their diversity.

 

Accessibility

S_ words has been designed with elements of creative accessibility, integrating accessibility tools organically from the very beginning of the creative process. These elements may facilitate the experience for audience members with visual impairments. However, please note that the performance cannot be considered fully accessible for this audience.

The performance is accessible to Deaf, hard-of-hearing, and hearing-impaired audiences.

The venue is wheelchair accessible. However, an accessible restroom is not available.

 

 

Duration: 40 minutes.

LENORMAN 249: An Evening Dedicated to Collective Music Creation

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The music ensembles of Lenorman 249 take the stage and introduce themselves at PLYFA
…an evening dedicated to collective music creation…

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+bAnda Music Group || Percussion Ensemble || Cretan Group O-Madara

Exhibition of creations from The Stitch Lab, a workshop curated throughout the year at Lenorman 249 by fashion designer Argyro Kaliafa.

HAPAX — Solstice Special

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HAPAX — Solstice Special

This June, HAPAX and Pullman Club come together at PLYFA, gathering at the compound in Votanikos, Athens, for a full solstice drift of drinks, open-fire cooking, and sound.

HAPAX is a Paris-based collective working at the intersection of art, design, gastronomy, and music. This gathering marks the passage into the most incandescent season of the year.

Pullman Club is a supper club founded in Athens in 2022 by chef Kostas Pardalis and architect and designer Chrysa Petrochilou. Through a series of pop-up dinners hosted across Greece, Europe, and internationally — in wine bars, art galleries, rooftops, and other intimate settings — Pullman creates gatherings where food becomes a means of bringing strangers around the same table.

Each gathering takes shape through a site-specific approach, where menu, atmosphere, and spatial setting are considered as interconnected elements of the experience. Moving between different cities and venues, Pullman adapts to each context while remaining grounded in a Mediterranean sensibility and a close relationship with local produce.

At the core of Pullman lies the idea of commensality — the act of eating together as a shared social experience. The table is approached as a space for exchange, conversation, and temporary community, where unfamiliar people can, if only for an evening, inhabit a common experience through food.

In this sense, the meal extends beyond hospitality itself, becoming a form of cultural and social encounter.

For culinary purposes and thermal explorations, Ariadne Strofylla and Konstantinos Chatzakis will build a bio-construction grill, channeling a hedonistic refractivity around food through its Typhonian mouth and volcanic belly.



Meet the artists of the sssooooollsstiicee

 

17:00 — Jessie Onze · Undertone Therapeutics

An immersive listening session exploring sound as a tool for healing, reflection, and transformation. Through ambient textures, field recordings, and therapeutic frequencies, Jessie invites deep listening and embodied restoration.

— Désiré Bonaventure · Ambient Trip

French producer blending ambient, noise, jungle, grime, and dub into dense, tension-filled soundscapes. Founder of Euphonic Rec and a key figure in several underground electronic projects.

 — Romain Barry

Singer-songwriter moving between French chanson, North African melodies, rock, and synth-driven new wave. His solo live performances unfold as intimate, cinematic journeys.

 — Sissi Rada

Athens/Berlin-based harpist, composer, and electronic artist. Combining classical virtuosity with experimental electronics, she explores the intersection of sound, mindfulness, and perception.

 — V3rynich3 · Self Sufficient Island

A live electronics performance built from feedback systems, cassette culture, and cybernetic experimentation. An evolving, self-generating sonic ecosystem.

— There is a Noise Behind the Curtain

Émile Papandréou & Elliott Matta present a hybrid performance of live music, video, light, and shadow. A spectral encounter somewhere between concert, cinema, and installation.

— kvadosh

Athens-based producer and DJ weaving Mediterranean textures, heavy percussion, and dark electronic rhythms. Her sets move fluidly between global club sounds and obscure electronics.

 

https://www.hapax.art/solstice

 

Duration: 17:00 00:00

LE RAGAZZE PERDUTE

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LE RAGAZZE PERDUTE
«THE LOST GIRLS»
A NEW PIECE DIRECTED BY GRACE ANDREWS

Meet us within the restless pulse of ‘50s-70s Naples, where Lenú fights to unravel her lifelong entanglement with Lila, her brilliant friend. Fuelled by rivalry, revenge and devotion, they race from childhood to motherhood in a city alive with fierce contradiction, held up by a fragile community built on violence, ambition and brutal love.

Inspired by the Neapolitan novels by Elena Ferrante, this new piece from the Athens Fonact Ensemble explores how identity is made and unmade across generations of mothers and daughters in a world of men.

WITH TEXT FROM:

THE NEAPOLITAN NOVELS BY ELENA FERRANTE

MY BRILLIANT FRIEND PLAYTEXT BY APRIL DE ANGELIS

 MY BRILLIANT FRIEND SCREENPLAY BY SAVERIO COSTANZO

Duration: 1,5 hour
Suitable for: 13+

My Body: a map to love

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My Body: a map to love

We invite you to an experiential day of therapeutic connection, dedicated to meeting the self, the body, and our authentic expression.

Through art therapy, music therapy, dance therapy, and sound healing, we will have the opportunity to move, feel, create, and exist with greater awareness and presence.

Limited spots available.


We look forward to sharing this experience of connection, care, and presence with you.
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Duration: 12:00 – 21:00

REALITY AND OTHER SPECULATIONS

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“Reality and Other Speculations”
by Christina Oikonomidou


Apópeira
presents the new poetry book by Christina Oikonomidou, “Reality and Other Speculations.”

The book will be introduced by EKPA professor and literary critic Titika Dimitroulia, and by poets Giannis Antiochou and Efthychia Panagiotou.

Poems will be read by actress Katia Gerou, singer-songwriter Apostolos Rizos, and poet Antonia Botonaki.

 

 

 

Duration: 1.5 hours without intermission.

MATMOS LIVE IN ATHENS

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Matmos Live in Athens

Matmos, one of the most influential acts in contemporary electronic music, will perform live in Athens.

 

For more than three decades, Matmos have been redefining the boundaries of electronic music, transforming unexpected sound sources—from everyday objects to field recordings—into intricate rhythmic and sonic structures.

Drew Daniel and M.C. Schmidt move between art, research, and live performance, exploring sound down to its finest detail, balancing precision, humor, and curiosity.

Listening to their work feels like observing through a microscope, revealing worlds that usually remain invisible.

Based in Baltimore, Matmos have developed a distinctive artistic identity grounded in the use of unconventional sound sources and their transformation into immediately accessible musical forms. Their work has been internationally recognized for its contribution to the evolution of sampling culture, and they have collaborated with artists such as Björk, Kronos Quartet, Terry Riley, and Anohni.

Their most recent album, Metallic Life Review (Thrill Jockey, 2025), is constructed entirely from metal sounds—copper, steel, aluminum—processed into a multilayered sonic landscape.

The choice of the industrial venue PLYFA acts as a natural extension of their practice, an environment where sound and material converge.

A rare appearance in Athens, as part of the Scenius Series.

 

https://www.thrilljockey.com/artists/matmos
 https://www.exform.net/matmos/
https://scenius.gr/matmos-live-in-athens/

Doors open at 20:30.

 

Duration: 120 minutes
Age suitability: 16+

ECHORROES: Echonexus — with three musicians and a participatory approach

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ECHORROES: Echonexus — with three musicians and a participatory approach

We have built Echorroes so that anyone, of any age and language, can express themselves musically without prior training. At its core stands a facilitator; around her, Echonexus — an interactive musical instrument driven by AI algorithms that listens and responds.

What happens if, in the facilitator’s place, we put three virtuoso improvisers? How does a system designed for everyone — inclusive yet of genuine aesthetic substance — come face to face with musicians who have mastered the art of improvisation, and what new thing is born from that encounter?

Savina Yannatou guides us with her voice, calmly into the unexpected, without a map, defying the fear of the unknown.

Yorgos Stavridis, with his “percussion,” transforms every object into a musical instrument — doing by hand what the algorithm does digitally.

Panagiotis Sioras, with his bass clarinet — a centuries-old “tube” built for virtuosi — enters into dialogue with Echonexus, a young musical “tube” built to give voice to every child.

Three new cores within a vessel already shaped by the relationship between the facilitator, the algorithm, and the children — open a new space of interactions. Participation migrates inward, between the musicians and Echonexus, and at the same time outward, toward an audience invited to share the space and the sound with curious ears.

 

 

Duration: 20:00–22:00 (two 45-minute sessions with an intermission)

SLEEPLESS: a multi-layered live installation

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SLEEPLESS: a multi-layered live installation

The Performance Art Lab of Delos Drama School presents its new performance, titled SLEEPLESS: a multi-layered live installation inspired by the exhibition “The Bed in History and Contemporary Art”, presented at the Belvedere Museum in Vienna in 2015.

The stage is transformed into a fragmented space: 12 rooms, 12 autonomous yet interconnected actions. In each room, a body is exposed, persists, resists, or surrenders. The performances unfold simultaneously, creating a living landscape through which the audience is invited to wander, choose, and compose their own experience.

The work draws inspiration from the idea of the bed not as a place of rest, but as a field of political and existential tension. The bed becomes a site of power, care, surveillance, desire, loneliness, and violence. A place where the body is revealed in its most vulnerable, yet most exposed, state.

In SLEEPLESS, bodies do not sleep — they remain alert.

The performance explores insomnia as a contemporary condition: the body as a vessel of memory and pressure, privacy as a fragile construct, and the relationship between care and control.

Without speech, without linear narrative, the work is composed through images, situations, and durations. The spectator does not watch from a distance — they participate actively, moving between the rooms and composing their own “map of sleeplessness.”

SLEEPLESS is an experience that places the body at the centre:
where rest becomes impossible, and truth emerges.

 

Duration: 2 hours
Suitable for ages 16 and up. The performances contain scenes of violence and nudity.