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VASILIS PRODROMOU SOLO

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Vasilis Prodromou SOLO

After a series of sold-out performances, Vasilis invites you to experience his SOLO.

You’ll hear stories laced with existential and political reflections, songs about love, memory, and revolution, and tales that wrestle with the ideas of “forever,” “never,” and “never again.” All of this unfolds with the intention of “acknowledging everything that’s his—his rights and his wrongs,” as he sings in “At the Foot of the World,” from his debut album “Life Begins Now.”

Let’s get acquainted…

Vasilis studied at the Music School of Serres, while also taking lessons in folk guitar and three-string bouzouki with Stavros Vasdekis and Dimitris Psarras respectively.
During his Architecture studies at Democritus University of Thrace, he became active as a musician and singer, performing across Northern Greece.

In December 2013, after completing his architectural studies, he made his first appearance in Athens, performing with Glykeria and Babis Tsertos.
Since then, he has collaborated—both live and in the studio—with leading composers, songwriters, and performers, while presenting his own music in venues within and beyond Athens. His main creative companions include composer and accordionist Dasho Kurti, multi-instrumentalist and songwriter Dimitris Sintos, and drummer Thanos Tselebis.

He is also a member of Pagan, a progressive-ethnic band, where he plays acoustic guitar and sings.

Collaborations (Live)

Glykeria, Eleni Vitali, Natassa Bofiliou, Pagan, Dimitra Galani, Vasilis Tsitsanis Orchestra, Christina Maxouri (Songs of Sotiria), Pitsa Papadopoulou, Manolis Lidakis, Christos Nikolopoulos, Nikos Dimitratos, Ioulia Karapataki, Anatoli Margiola, Aspasia Stratigou, Manolis Pappos, Giorgos Merantzas, Melina Kana, Lizeta Kalimeri, Fotini Velessiotou, Sofia Kourtidou, among others.

Discography (as singer or musician)

  • From the Pillow of the Earth – D. Sintos (2011)

  • Voices in This City – A. Katsigiannis & N. Anagnostakis (2014)

  • Life Begins Now – Vasilis Prodromou (2017)

  • Monologue – Konstantinos Plousios (2017)

  • Rodostamo – Aspasia Stratigou (2017)

  • The Second Ones (Because the First Got Tired) – Fotis Siotas & Thodoris Gonis (2019)

  • Amulet – Nikos Samaras (2020)

  • Red Thread – Dimitris Sintos & Anatoli Margiola (2020)

  • Microclimate – Alexandros Emmanouilidis (2023)

  • Epilogue – Al. Gourgoulios (2024)

Stage Appearances

  • Cherchez la Femme (National Theatre of Northern Greece) – directed by Sofia Spyratou (2015)

  • Minore (Cyprus & Thessaloniki) – directed by Takis Tzamargias (2022)

  • My Name is Sotiria (Avlaia Theatre, Thessaloniki) – directed by Giorgos Papageorgiou (2024)

  • Melodia Radio Tapes: The Tape of Manos Eleftheriou (24/07/2024, Lycabettus)
    — with Giannis Kotsiras, Miltos Paschalidis, Nefeli Fasouli, and Violeta Ikari

  • In the Blooming Gardens (tribute to Mikis Theodorakis, 14/10/2024, Herodeion)
    — with Natassa Bofiliou
    — Arrangements by Themis Karamouratidis, Direction by Angelos Triantafyllou

  • Boston (Berklee College of Music) Performance with the Vasilis Tsitsanis Orchestra (Manolis Pappos, Fotis Vergopoulos, Dasho Kurti) and Natassa Bofiliou, in a tribute to Vasilis Tsitsanis.

Doors open at 20:45.

BUILDING BRIDGES TO GREECE

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Building Bridges to Greece
Α bold exploration of sound and collective truth

You are cordially invited to Building Bridges to Greece (BBG), the first cycle of which presents four new works for solo bassoon by daring composers based in the USA and Europe. This music performance includes electronics, lights and musiktheater, in an original spectacle. The music of Stratis Minakakis, Konstantinos Baras, Michalis Paraskakis and Niki Harlafti draws inspiration from their Greek heritage and contemporary Greek reality: from the transcendence of ancient Greek hymns and temples, philosophy and mythology, to the challenges of life in modern Greece. 

Building Bridges to Greece (BBG) is a global initiative by virtuoso German-American bassoonist Ben Roidl-Ward and Greek composer Niki Harlafti aiming to promote Greek composers internationally, through the commission and presentation of exciting contemporary classical works and multimedia performances involving the bassoon.

A brief, open discussion with the creative team will follow.

Michalis Paraskakis, Elephant’s foot or Pyriphlegethon
Stratis Minakakis, …hypnon apo glefaron skedasei glykyn…
Konstantinos Baras, Allegory
Niki Harlafti, The Blood of Others 

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A concert production by Building Bridges to Greece (BBG) and the Greek Composers Union (GCU)
The event is held under the kind sponsorship of the Luminarts Foundation (USA) and the Hellenic Composers’ Union (Greece), under whose auspices it takes place.

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Suitable age: 15+
Duration: 60 minutes without intermission, followed by a 30-minute discussion with the creative team.
Entry is permitted only between works.

Health & Trigger Warnings

Health Warning:
One of the featured works contains flashing lights and loud sound effects, which may affect individuals with light or sound sensitivities.*

Content Warning:
Another work includes artistic references to murder, violence, accidents, and complex political issues. Such material may cause distress or discomfort to some audience members. For your well-being, please take this into consideration before attending.*

*Relevant warnings will appear in the event program, and attendees will have the option to exit the performance if needed.

Pétale COLLECTION LAUNCH EVENT

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Pétale Collection Launch event
STUDIO ARISTOTELIS BARAKOS

Like petals from a precious flower carried by the wind, the pendant lights of Pétale collection add  a sense of understated beauty in any space. From show-stopping “petal clouds” that rise  multiple metres in height, to a single pendant casting a soft light on a bedside table, Pétale is a  versatile modular system that can be combined in an unlimited number of arrangements.  

The French word pétale comes from the Greek petalo, both meaning the petal of a flower. They  originate from the Ancient Greek word petalon, which initially meant a plant leaf or a thin metal  plate. The two meanings of the ancient word exist in this new lighting collection, combining  ethereal lightness with solid metal craftsmanship.  

A single Pétale unit is made of two round metal plates enfolding a cylindrical spotlight. This  unique shape creates an illusion of flatness, but at the same time allows for different geometries  to appear, depending on the angle from which the pendant is seen. Its curved surfaces catch the  light beautifully — a feature that, in combination with the subtle rotation of the pendants due to  moving air, creates a mesmerising visual effect.  

In addition to freeform arrangements, Pétale may also be lined up, creating custom rows of lights  that can illuminate tables, desks, reception counters and many more.  

Pétale invites architects and designers to compose with light as if with flower petals, creating  unique spatial atmospheres where material precision meets poetic grace. This new Studio  Aristotelis Barakos collection is currently available in gold satin brushed brass, with more  finishes becoming available in the future.  

 

Finishing: Satin-brushed brass (more finishings TBA soon)
Dimensions: 20 x 21 x 8 cm
Light bulb: GU10  

Photography by: Giorgos Vitsaropoulos 

 

Duration: 13.00 – 20.00

https://www.instagram.com/studio_aristotelis_barakos/
https://www.facebook.com/AristotelisBarakosdesign

PAIDI TRAVMA SPECIAL LIVE

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PAIDI TRAVMA
Special Live

Friday, October 31: SOLD OUT
NEW DATES: Friday, December 12 and Saturday, December 13

Do you want to experience a Second Life?

After an immediate and emotional sell-out, we’re adding another date for this special live show!

On Friday, December 12 and Saturday, December 13, Paidi Travma will be at PLYFA, offering us a unique opportunity to experience a different kind of concert with him. That evening, the strange story of Diana, the mysterious heroine of his new album who is reportedly missing, will be revealed.

Songs from the new album “Second Life”, releasing on October 30 via Fine! Records, will be performed live for the first time, in a concert – encounter without distance between the audience and the band. The space will be specially arranged so we can enter Diana’s world, explore her Second Life, see her personal objects, and read her favorite postcards.

Paidi Travma invites us to let go and sing along with him on an endless journey of escape and forgiveness, presenting a complete audiovisual performance under the artistic direction of Vasilis Kehagias. Lighting design by Alex Hills.

Duration: 120 minutes

WOLVES / THIS CHILD

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WOLVES / THIS CHILD
Christos Theodoridis & Xenia Themeli
SuNdogs Group

“The SuNdogs,” a group of ten actors who graduated in 2024 from the “Neo Elliniko Theatro” (New Greek Theatre), present at PLYFA Joël Pommerat’s “This Child,” under the artistic direction of Christos Theodoridis, and “WOLVES,” a dance performance choreographed by Xenia Themeli.

“WOLVES” — Xenia Themeli

A dance performance
An experiment in coordination
An experiment on a musical piece
An experiment on the trail of a pack.

“THIS CHILD” — Christos Theodoridis

Written in 2006, the play “This Child” dissects with disarming candor the relationships that form within the most intimate and at the same time most fragile social cell: the family. Ten moments of everyday life are enough to reveal the endless conflicts, the deep silences, and the inevitable chaos that dominate among the members of the modern family. Drawing on interviews with working-class women in Normandy and propelled by the political climate of the time, Joël Pommerat delivers a work structured as a raw theatrical montage of moments.

The production attempts to open a dialogue about the future of a society tested by wars, economic crises, and power games, following a past marked by social indifference, the struggle for survival, and the absence of love. It invites us, in the present, to answer the question: What have we done?

 

Performance Dates: November 5, 6, 8, 9, 12, 13, 15, 16, 22 & 23
Duration: “Wolves” – 20’, “This Child” – 80’ (with a 15-minute intermission in between)
Suitable for ages: 10+

Kormόs

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 Kormόs
Tasos Kofodimos & Yvonne Melissa

 

“Kormos” is the new album by Tasos Kofodimos and Yvonne Melissa, in collaboration with Mahyar Tahmasbi and Laia Escartin.

The work consists of eight orchestral pieces, written for a unique, specially designed chamber music ensemble made up of four string instruments: violin, viola, cello, and the Greek “steriano” lute.
Each piece is inspired by a different tree—its mythology, geomorphology, distinctive characteristics, and the myths and folk beliefs associated with it.
The title “Kormos” (“Κορμός” in Greek, meaning tree trunk) draws inspiration both from the conceptual theme of the project and from the natural materials of the stringed, wooden instruments.

The four musicians come from diverse musical and cultural backgrounds, creating a unique musical mosaic:
Tasos Kofodimos and Yvonne Melissa are two active musicians and creators of the contemporary Greek music scene, having released their first duo album “Myrrha” in 2023 and performed extensively in Greece and abroad.
In this project, they collaborate with Laia Escartin, a Catalan violist, singer, and composer, and Mahyar Tahmasbi, a renowned Iranian cellist and sitar player specializing in Persian classical music.

The musical outcome can be described as world music, blending influences from Greek traditional music, the broader Eastern Mediterranean, Persian music, gypsy jazz, and the classical structure of a string quartet.

Duration: 90’ (2 sets of 45’ with a 10’ intermission)

COSMIC SISTERS. A WARNING CALL & THE RETURN OF THE KING’S DAUGHTERS

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COSMIC SISTERS. A WARNING CALL & THE RETURN OF THE KING’S DAUGHTERS
Kainkollektiv, Lydia Polyzoi & the Cosmic Sisters

In her solo performance, Greek actress Lydia Polyzoi rewrites Hecuba’s lament from ‘The Trojan Women’ with her own experiences as a woman, artist and citizen in contemporary Athens. Her performative account, which deals with scenes of encroachment and assault on spaces of intimacy, integrity and self-empowerment, of the right to and protection of one’s own person and body, evokes a larger story. Like ghosts, the voices of women suddenly appear, who turn out to be Lydia’s cosmic sisters. They recount their subjective realities in different parts of the world, which, in the form of a radio play performance, connect musically, poetically and personally with the ancient story and imaginary journey of the king’s daughters that Aeschylus conceived in his tragedy ‘The Suppliants’.

With THE RETURN OF THE KING’S DAUGHTERS, kainkollektiv, together with Lydia and the cosmic sisters, opens up a sound space in the form of a walk-in radio play that aims to bring to life the stories and songs of those forgotten ‘king’s daughters’ who have been erased from our white, male- dominated civilisation since ancient times.

In an acoustic-musical soundscape, the voices, narratives, personal accounts and soundscapes of cultures that have been erased by Western colonial history appear in an (Afro)futuristic and docu- fictional counter-journey through time and space.

The ‘cosmic sisters’ are artists from South Africa (ANNALYZER), Cameroon (ALIMA), Iran (9T ANTIOPE alias Sara Bigdeli Shamloo & Nima Aghiani), Canada/Germany (Vanessa Chartrand Rodrigue) and Greece (Lydia Polyzoi). Between pop and opera, indigenous chants and electro, they jointly develop ‘Songs of Future Care’. In a 3D sound space, they invite the listening audience to dissolve their own echo chambers and, in an acoustic invocation of spirits and the dead, to get to the bottom of the question that always looms on the horizon, both at the beginning and in the continuation of the colonial legacy:

WHO OWNS HISTORY? And whose memory counts?

A project by and with Anelisa Stuurman, Fabian Lettow, Immanuel Bartz, Lydia Polyzoi, Mirjam Schmuck, Pélagie Alima, Sara Bigdeli Shamloo, Shams Kassab, Silvia Dierkes, Vanessa Chartrand-Rodrigue.

 

[Note: The performances are part of the 30-hour durational performance THESMOPHORIA.THE NEW ANCIENT THEATRE – A post-antique theatre festival by kainkollektiv and part of the European Schools of Care.
A sonic invocation across time, bodies and worlds.
(https://kainkollektiv.de/de/projects/thesmophoria-the-new-ancient-theatre/)]

 

DURATION: 90′

SERRATED EDGES

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SERRATED EDGES
LUNA PARK/ Kosmas Kosmopoulos

With the work SERRATED EDGES, the group explores how, despite the violence of history and contemporary crises, the body remains a field of struggle, inquiry, and redefinition.

SERRATED EDGES by Kosmas Kosmopoulos and LUNA PARK explores the fragility of human existence. This dance performance conjures the duality of the body—in its presence and its absence, through its movements and gestures, through images, words, sounds, whispers, screams, laments, laughter, and silence. At the beginning, four people are caught in repetitive patterns of movement. Eventually, this moving still life breaks open; new paths lead from the margins to the center, from darkness to a brighter space. What is shared constantly forms and deforms, only to be separated again—like being cut by the serrated edges of a blade. These cuts pass through movement, voices, bodies, and lives. Creatures drift through contemplative spaces, in a timeless time—mourning, fighting, hoping—searching for light, for orientation, for redemption, in the face of unresolved conflicts and the violence of human history and present day, which is always, in some way, their own.
Like many of LUNA PARK’s works, SERRATED EDGES aims to intertwine life and art, fiction and reality, social critique and the aesthetics of dance. The piece’s poetic-minimalist choreography addresses existential questions about the fragility, transformability, and resilience of human existence and the human body—questions that, against the backdrop of pandemic experiences and other collective crises of our time, and the affective geographies shaped by them, feel more relevant than ever.

SERRATED EDGES contains scenic material from UNBOUND by Angeliki Anargyrou, co-produced by LUNA PARK, and video material from SCRATCHES – TO LIVE BY by Susanne Mueller Nelson and Kosmas Kosmopoulos.

SERRATED EDGES is a production of Initiative LUNA PARK e.V., in cooperation with Greek association LOUNA PARK ERGA, supported in the frame of the artist residency program “tanz(t)räume” (dance rooms/ dreams) funded by TANZPAKT Stadt-Land-Bund (DANCE PACT Local-Regional-National) and the Berlin Senate Department for Culture and Social Cohesion. The performances in Athens take place within the framework of the international exchange program “How to dance in times of crisis?”, which is funded by the German-Greek Youth Office.

Kosmas Kosmopoulos is a choreographer and dance educator based in Berlin and Athens. A graduate of the first generation of P.A.R.T.S. (Anne Teresa De Keersmaeker), he founded the artistic collective LUNA PARK in 2002 and since 2019 has been directing the organization Initiative LUNA PARK e.V. in Berlin. His work combines contemporary performing arts with educational programs for children and young people, often with a migrant or refugee background. His poetically minimalist choreographies explore existential questions about the fragility and resilience of human existence and the body.


LUNA PARK, founded in 2002 as an initiative of independent artists, has been realizing contemporary dance productions with performances in Germany, Greece and abroad, diverse extracurricular artistic education projects for children, teenagers and young adults and international exchange and encounter programs for young dance professionals and dance education specialists for over 20 years. 

 

Duration: about 60 minutes

The performance is suitable for everyone aged 16 and over. In certain scenes of the performance, artificial fog, loud sounds, intense lighting effects (strobe light), and darkness are used.

P.I.E.B. x Viktoras – “DETROIT” ⸱ CONCEPT LIVE ALBUM PRESENTATION

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P.I.E.B. x Viktoras – “DETROIT” ⸱ Official Album Presentation (Concept Live Album Presentation)


The multifaceted P.I.E.B. of The Bad Poetry Social Club, in collaboration with the subversive Viktora in composition and production, gave us one of the most special albums of recent years.

P.I.E.B.’s spoken word poetry and interpretation, full of nostalgia, anger and tenderness, dissolves and recombines within the raw energy, the beats that pound hard and the guitars that scratch persistently.

The musical journey for “DETROIT” is full of dynamism, atmosphere and personality, it goes through synth/darkwave, electropunk and drum ‘n’ bass and takes you to PLYFA, on November 21st for a Full Live Experience with their guests

The Bad Poetry Social Club, Pan Pan, TURBOFLOW3000, Kalliopi Mitropoulou, VASSILINA, Libys, a cigarette at the bars,

There and then, P.I.E.B. having Viktora as company and, on stage with them, Nikiforos Nugent (Kepler is free) on Keys and Sativa (Logos Timis) on Decks, will present us with his self-titled album that has already stood out to the audience, proving that the new generation of the Greek scene has a lot to say – and it must be heard loudly!

To make us shout:

WHAT!

A NIGHT!

IT IS!

All this in a conceptual evening that will be reminiscent of an Athens that tried to survive and perhaps ultimately failed, through a one-hour performance, just before the Live, which will set the entire atmosphere of the experience, in a scenography by The Krank and Olympia Theodoridou.

 

Performance start time: 20:00
Live show start time: 21:30

Hard copy presale tickets are available at:

Duration: 3 hours (no intermission)
Recommended age: 15 and above

LULLABY ΑΘΕΝΖ VOL.1

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Lullaby Άθενζ
(a fest for the fresh)

Lullaby Άθενζ makes its debut on the Athenian stage. The festival aspires to showcase the new wave of the vibrant, creative, and restless independent Athenian scene. It is built through the participation and ideas of the acts involved, offering emerging artists the opportunity to present their music with the best possible sound and visual production. We’re delighted to kick off this initiative with three remarkable and distinctive new artists: Rosadenia, Challice, and Plasteline.

We invite everyone to join us for the opening night of a festival that aims to become a lasting institution.

Lullaby Άθενζ vol. 1 – Facebook

ROSADENIA

Rosadenia and her band bring to the stage a sound full of energy and character.
Balkan melodies, pop hooks, rock dynamics, and urban beats blend into an explosive mix that lifts the crowd.
A live performance bursting with rhythm, intensity, and atmosphere.

Social Media
Instagram | TikTok | Spotify

CHALLICE

CHALLICE was born in Athens but came of age and lived for several years in London. She writes and composes her own music with a genre-bending approach. Her lyrics explore deeply personal and real themes—love, sexuality, gender stereotypes, and socio-political concerns—woven together with unusual harmonies, distortions, delays, and eerie melodies that merge elements of Electronic and Dream Pop, creating a darker style she calls Nightmare Pop. Her debut album, Custom Made Prisons, was released in October 2022, and since then she has released three more works.

Social Media
Instagram | TikTok | Facebook

PLASTELÍNE

Plastelíne creates Greek art-pop, transforming her—not-so-personal—dramas into existential songs. Dreamy melodies dressed in harsh electronic elements, light beats meeting sharp, biting lyrics, craft a space where fairy tales collide with reality. Her performances are always unpredictable, as stage anxiety often drives her into confessional moments that linger for months after each live show. Her name, Plastelíne, is inspired by neuroplasticity—the mysterious ability of the brain to reshape itself. In the same way, her music is flexible, multidimensional, and constantly evolving.

Social Media
Youtube | Spotify | Instagram | Facebook