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Και για την Ελλάδα ολόκληρη

‘’Θάνατος στον χειμώνα

Θάνατος στον θάνατο‘’

Με αφορμή τις Βάκχες του Ευριπίδη και τον Σπαραγμό της Μαργαρίτας Λυμπεράκη, πέντε επι σκηνής πρόσωπα θα επιχειρήσουν να συντηρήσουν έναν κόσμο φτιαγμένο από χαρτί. Η παράσταση θα προσπαθήσει να αφηγηθεί την ιστορία του μυθικού βασιλιά Πενθέα ή αλλιώς εκείνου που εμείς ονομάζουμε – “ο άνθρωπος των θλίψεων’’.

The princess of Troy and widow of the mythical Hector arrives in Greece uprooted, after the end of the Trojan War and the annihilation of her loved ones. She follows Achilles’ son Pyrrhus as his captive and mistress. After the murder of Pyrrhus by Orestes, Andromache surrenders to his brother Hector, to finally take refuge in Epirus, the only “inhabitant” of an artificial Trojan landscape.

A modern female monologue of realization, about the fate of the refugee and the agony of finding a new identity. “How can you forget?” Andromache as a rebel against oblivion, will communicate the heartbreaks from the depths of time through the universal language, art.

Experience the Myth. Through an experience crafted by DarkPlay Theatre.
:|: “Farewell, Cretans, and you, my homeland, sweet land of Zeus, sun-drenched…” Euripides (The Cretans)

An immersive, bilingual journey in Greek, English, and Ancient Greek.
Inspired by the Minotaur and the Labyrinth.
Love, power, and myth collide in this reimagined ancient tale.

The Performance

Brutal conflicts, forbidden love, and the struggle for power play out in a shocking, risk-taking, and sprawling meditation on the classic mythos.
A story drawn from fragments of Euripides, Ovid, Pindar, the true and mythical history of Crete, and the cultural legacy of the maze and the monster.
Every art form and archetype is here: live theatre, dance, and multimedia performed in English, Greek, and Ancient Greek.
Profound and provocative stories you thought you knew, re-imagined and told through ritual, sensation, and transformation.
Enter a sensual, violent, unpredictable world unlike anything you will find on stages or screens.

What You Need to Know:

Age 18+ Only: This show is intense. Darkness, loud music, bright lights, and direct interaction with actors. You’ll be on your feet, moving, and maybe even wearing a mask.
You Are Part of the Performance: From the moment you step into the space, you’re in the story.
No Phones, No Recording: Leave your devices behind. This is a world you can’t capture—only live.

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ETÚTI Theater Group
Genesis No. 2
by Ivan Viripaev
Directed by: Kali Voikli
2nd YEAR OF PERFORMANCES

After the first cycle of sold out shows, Genesis No. 2 by Ivan Viripaev from
ETÚTI Theater Group directed by Kalis Voiklis returns to PLYFA for
limited number of performances.
Genesis No. 2 by Ivan Viripaev is a “tragedy of meaning” that manages to
combines humor and realism, with deep questions about meaning and existence.
It talks about freedom and imposition, loneliness and connection between people.
He talks about God and with God, who is one of the characters of the work.
“If you believe in God, this does not mean that God also believes in you”

However, it is about a humanized, revolutionary God, who declares defiantly
that it does not exist, forcing man to look for what might exist beyond him.
Is there anything else?
“In everything that exists around us, there is something else, something other than what we see”

Through the text, worlds and characters, current and eternal, are born that have the
flexibility to transform through the eyes of the viewers. This is how they surface
thoughts and feelings that we all have, but perhaps don’t know how to transform
in words.

The polyphony of the text is also reflected in the direction that tries a
innovative approach to the project. Five actors alternate in his roles
play, changing characters in each performance, spontaneously, without existing
pre-agreement on what role each person will take in each scene. So, through
this game of self-determination, each performance will be different, unpredictable and
truly “alive”.
The ETÚTI Theater Group, directed by Kali Voikli and with original music
composed by Viki Kapetanopoulou, they create an alternative performance, where the
Viripaev’s text emerges as the “main person of the work”.

*The show is suitable for people over 16 years old
**Strobe light is used in the performance

Giota Festa meets Giorgos Karamichos at Konstantinou’s “OUTRO”.
Vasilakopoulou | From 5/10 at PLYFA

Konstantinos Vasilakopoulos returns to Greece with the first complete
his work, “OUTRO”. Graduate of the pioneering Academy of Theater and Dance
of Amsterdam, with an apprenticeship with Ivo van Hove and great collaborations in
his asset creates a project about family relationships, diversity, the
hard and intimate truths that kneel under the weight of social “acceptance”
and homogeneity.
“OUTRO” is based on Jean-Luc Lagarce’s play, “Juste la fin du
Monde”, which was later made into a movie (in Greek: “Just the End of the World”)
by Xavier Dolan and won several awards.

OUTRO

Directed by: Konstantinos Vasilakopoulos
In the role of the mother, Iota Festa
Loukas, George Karamichos
Premiere: October 5
In PLYFA

PLOT

I risk without hope.
Nevertheless I decided to go back to see them, to go back to the old days, to march
in my footsteps and make my journey.

Lukas, a writer, returns after many years to his hometown, in one
village in the Greek countryside. He wants to make up for lost time, lost opportunities,
to find the courage to face himself against his family. To
defend his choices, his wants, his identity.
Will fertile ground be created for him to find the redemption he seeks?
“OUTRO” by Konstantinos Vasilakopoulos takes a brave plunge into
dysfunctional family environment. Where the traditional are demystified
gatherings around the same table and the truths with which are revealed
all members fight.

It invites us to reflect: How cruel can we be to others, when
haven’t we done any work on ourselves? And, after all, what is worth in this life? Which ones
priorities? What should we sacrifice and on which altar? They could all were they becoming “otherwise”? And how far we are – individually, but also as a society – from this
“otherwise”?

Director’s note
What role does the artist’s return to the environment that expelled him play? He turns with her
hope that things have changed? He has missed the warmth of his family or
is he just confirming that he is well gone?
Those who have grown up in a closed Greek provincial town, know well what it means to
you dream of escaping from the environment in which you live. An environment like no other
limit of tolerance to diversity, which tries to suppress any natural you
tendency and to put on your ancestral seals and the barriers that dominate
from the guilt of pleasure and set the bar high for social acceptance and
homogeneity.

In “OUTRO” I wanted to create an environment in which the audience could feel
participant. The viewer should reflect on how we have structured our society
reality, not necessarily to embrace the views expressed.

Konstantinos Vasilakopoulos

Basted on “Juste la fin du monde”
του Jean – Luc Lagarce