Events Archive - Page 11 of 20

PIANO CITY ATHENS 2024 presents a concert where Jazz, Funk, Ragtime, Blues, Classic, Fusion, Latin intersect in an unprecedented sonic feast.

An exuberant musical journey without limits with two pianos, drums and double bass, under the spring Attic moon.

Two distinct pianists, Christos Papageorgiou and Anastasios Pappas meet on the occasion of their love for music of many different styles. The line-up is completed by two accomplished musicians, Takis Capogiannis on double bass and Seraphim Bellos on drums.
A crossover program, which combines the classical style with improvisation and with other popular music genres, such as Jazz, Funk, Fusion etc.

Biographies
Christos Papageorgiou – piano
Christos Papageorgiou is a composer, pianist, teacher and producer of the radio and television shows “Looking for the Lady with Strychnine”, “OMMA in the Arts”, “Station Megaro” of ERA3 and ET1.
He has been honored with many first international prizes for piano and composition, among which in 1999 the 1st prize of the International Composition Competition “2 Agosto” in Bologna, Italy (& Award of the President of the Italian Republic), in 1998 with the prize of the “Union of Greek Critics, of Theater and Music” and the 2013 ASCAP Award received by the Buffalo NY Philharmonic for the American premiere of the work of Pyrrhios.
He has performed to date in many music centers of the world, such as Lincoln Center, Carnegie (Weil) Hall, Berlin Philharmonie, Barbican Hall, St James Palace, Kioi Hall Tokyo and Rudolfinum Dvorak Hall. He has collaborated with orchestras such as the Philharmonia, the Orchester Symphonique du Capitole de Toulouse, the Odessa Philharmonic Symphony of Munich, the Malaga Symphony Orchestra, the State Orchestra of Athens, the State Orchestra of Thessaloniki, the National Symphony Orchestra of the E.R.T., the N.H.K. of the Japanese Radio and Television, the Orchestra Sinfonica del Emiglia Romagna “Arturo Toscanini” and the State Orchestra of Istanbul. He has recorded for international TV and radio channels such as the BBC, Berlin Radio 3, Swiss Radio, RAI and ARD. His works have been performed by internationally renowned artists, such as the New York Philharmonic Chamber Soloists, Theodoros Kerkezos, Oscar Giglia and Maria Faradouri.
He was Director of the Third Program and Special Advisor of ERT.

Anastasios Pappas – piano
Anastasios Pappas began his musical studies at the age of 5 with his mother. She continued and graduated from the class of Maria Hairiorgou-Sigara, receiving her piano diploma with honors and first prize.
He completed his postgraduate studies as a scholarship holder of the “Gina Bachauer” Foundation and the British Council, at the Royal Academy of Music in London, with the diploma of postgraduate studies in piano with distinction.
He participated and was awarded in international competitions in Italy, England and America.
Appearances in countries such as America, England, Spain, Romania, Italy, Portugal, Holland, Kazakhstan and Armenia followed. Having played in major concert halls such as Carnegie Hall, Southbank Center, Phillips Zaal, he received excellent reviews.
He has collaborated with all Greek orchestras, as well as with the London Sinfonietta, London Soloists Chamber Orchestra, Moldavia Philharmonic Cluj, George Enescu Philharmonic and Budapest Festival Orchestra. Among the conductors he has collaborated with are Ivan Fischer, John Georgiades, Diego Masson, Alexandru Lascae, Emil Simon, Alexandros Myrat, Miltos Logiadis, Theodoros Antoniou, Giorgos Petrou. Theodoros Antoniou and Kyriakos Sfetsas have composed and dedicated piano concertos to him.
He has recorded for the Third Program of the Hellenic Radio, as well as for the radio stations WQXR (New York), Classical FM (London) and Radio Romania Musical (Bucharest).

Takis Kapogiannis – Double Bass
He studied double bass at the Orpheus Conservatory with Panagiotis Kontos and at the Academy of Music and Fine Arts in Graz with Johannes Auersperg.
After the end of his studies he became a member of the Orchestra of the National Opera and the Orchestra of Colors under Manos Hadjidakis. From the founding of Camerata – Orchestra of the Friends of Music until 2000, he held the position of Principal in the double basses.
As part of his involvement in chamber music, he has collaborated with important Greek and foreign musicians. As a soloist, he has repeatedly appeared with Camerata – Friends of Music Orchestra and with K.O.A.
From 1989 to 2009 he was a professor at the Philippos Nakas Conservatory and since then he has been teaching at the Athens Conservatory and the Orpheus Conservatory.

Seraphim Bellos – drums
He started playing drums at 16 with amateur rock bands.
Since 1991 he has been involved in Jazz. He initially studied at the Athens percussion workshop of Nikos Touliatos

PIANO CITY ATHENS 2024 presents a music and dance performance

The award-winning pianist and composer
and Bob Wilson’s great dancer and choreographer
in an original collaboration.

What is the sound of stillness, what is the sound of vigorous movement?
A long performance (3 hours) where the viewer is free to exist and move in the space as he wants and feels and for as long as he wants, as he thus becomes part of the special action.
The music is written at that moment, as is the choreography.
A game with time, the relationship between movement and music, communication, existence. Light, sound and movement star in an autonomous, original, creative universe!

The first contact with movement is the stimulus of sound, whether external, from the rustling of a tree to a sonata, or internal, such as the sound of a heartbeat.
Listening to the piano I can only hear it with my whole body. It can sweep me into the torrent of its melody, move me rhythmically, or immobilize me. It can make me act and dance against what I hear, allowing the viewer to both hear and see.
The music and the dance create a space in which the viewer feels the movement through the music and the music through the movement. The body, as matter, affects the immaterial space created by the sound of the music written at that moment.

Biographies

MARIANNA KAVALLIERATOU | choreographer/dancer
Began dancing at the Carol Hanis Ballet School. She graduated from the London Contemporary Dance School, with studies in Contemporary Dance and Choreography. She continued her studies with the Onassis Foundation Scholarship, for one year, at SYNY Purchase College in New York. He then attended classes at Martha Graham’s school for three years.
From 1992 until today, she has been collaborating with Robert Wilson at the Watermill Center in New York as a dancer-choreographer-movement teacher coordinating and conducting the summer workshops.
In 2010 she formed her own group for which she choreographed many works participating in important festivals in Greece and abroad.
As a choreographer he collaborated with important artists, such as Stathis Livathinos, Dimitris Bogdanos, Yiannis Kalabrianos, Lydia Koniordou, Nikos Xydakis, etc.
He also collaborated in a choreographic project in presentations of the Hermes house in Athens.
Since 2016 he has been teaching choreography/improvisation at KSOT and at drama schools in Greece.
From 2001-2017 he has taught dance and improvisation workshops at the Watermill Center of Art and Humanities New York.

THODORIS ECONOMOU | piano, composition
He studied piano at the Athens Conservatory with Aliki Vatikiotis and completed his postgraduate studies at the Royal College of Music in London with teacher Irina Zaritskaja.
In 2004 he composed the music for the opening ceremony of the Paralympic Games in Athens after being commissioned by the French production company ECA2.
In the theater he collaborates with the National Theatre, the K.TH.BE, the Art Theatre, the Athens and Epidaurus Festival, the National Opera, the Piccolo Teatro, etc. He has written the music for over one hundred and fifty theatrical performances directed by Robert Wilson, Yiannis Houvardas, Yiannis Moskas, Sotiris Tsafoulias, Nikos Mastorakis, Stamatis Fasoulis, among others, as well as for important film productions.
He has collaborated with symphony orchestras and other smaller ensembles in Greece, Cyprus, Chicago, New York, Boston, Baltimore, London, Tokyo, Osaka, Nagoya, Glasgow, Edinburgh, Alexandria, South Africa and Beijing.
In 2011, he was awarded the “Dimitris Mitropoulos” award from the Theater Museum of Greece, as well as being awarded for the composition of original music in the audience awards from Athinorama magazine (2010 – 2022-2023), while in 2023 he was also awarded by the Theater Critics Association and performing arts. He teaches at the Higher Drama School of the Art Theatre.

PIANO CITY ATHENS 2024
presents a show for the whole family

The traditional karagiozis player Kostas Makris in a unique collaboration with the musician Stavros Xiouras.

This show is performed in Greek.

A new comedy full of melodies from the piano of Stavros Xiouras and hilarious jokes from Karagiozis of Makris for the whole family!

Vezyropoula returns from her studies abroad and having acquired a European musical education, she asks her father Pasha to organize a magnificent concert in Serai. An order is immediately issued to find a conductor of great scope together with a pianist, so that Veziropoulas’ wish can be fulfilled.

Karagiozis hearing this order immediately thinks that it is a unique opportunity to fill his permanently empty belly and also to feed his family. Will he be able to play the piano and get the job or will he fail?

Resumes

Kostas Makris – Karagiozopaichtis, painter

The puppeteer and painter Kostas Makris was born in Patras. He studied for many years with great karagiozo players, such as Giannaros, Sotiris Aspiotis, Mitsakis and Costaros. It has been artistically active for four decades, both in Patras and throughout Greece. In 1989, he received, with his artistic work, the “İpekçi” award in Istanbul, while his works are hosted in the “Musée de l’Homme” in Paris. In 2004, E.L.I.A. (Hellenic Literary and Historical Archive) chose Kostas Makris, to present his performances in Athens, in the context of the Cultural Olympiad.
Since then and until today, his collaboration with E.L.I.A. continues, as a person in charge in the field of Shadow Theater. The “Patra Cultural Capital 2006” organization collaborated with Kostas Makris in the section of the 10-day events dedicated to the Hellenic Shadow Theatre. Several works of the folk painter – karagiozopaichte Kostas Makris are housed in the Museum of Man (France), as well as in private collections abroad (Italy, USA and elsewhere).
Babis Makris – Shadow Theater Artist, Folk Painter, Director
Babis Makris was born in Patras, on December 8, 1995.
At the age of 5, he gave his first performance, lasting 45 minutes, at the Castle of Rio and as part of the “State for Children” events.
The following year, he “opened” the International Film Festival in Pyrgos with the saying of Karagiozis “We will eat, we will drink and we will sleep fasting”.

His love for shadow theater and painting was evident from a young age, when he began to design and construct figures and sets, starting with the original works of Kostas Makris, but also of all the great craftsmen of Popular Culture housed in the Makris Archive.
In 2012, he appeared as a guest for the first time at “Spatharia” with the original comedy “O Karagiozis and the aliens”, attracting impressive reviews
In the summer of 2017, he participated in the It’s Kale Festival of Ioannina, presenting the show “The Lake of Sighs”, in its natural setting, next to the Lake and the tomb of Ali Pasha.
This was followed by participation in many Shadow Theater Festivals throughout Greece.

Stavros Xiouras – piano, clarinet, saxophone

He was born in Patras and studied at the Department of Folk and Traditional Music of the Department of Artistic Studies of the University of Ioannina, specializing in the traditional clarinet.
He started learning music from an early age with the piano as his first instrument, then he came into contact with the traditional clarinet and saxophone.
At the same time he completed his studies in higher theoretical and
he holds degrees in Harmony, Counterpoint, Wind Instrument Arrangement and Fugue.
He has collaborated with renowned musicians at events and festivals as well as with the DIPETHE of Patras, in the performance “Theatrical Analogies-Scriptures of the Revolution”, directed by Dimitris Georgalas.

An indie / folk / neo-psychedelic pop night in the heart of Athens, on the last Thursday of June.

Model Spy return to PLYFA after their sweeping pure indie pop passage from the same stage last September, as part of the Agoraphobic Festival. It will be only their second appearance with this line-up, which includes members of My Wet Calvin, Spiral Trio and Metaman.

Bhukhurah, aka Christos Bekiris, a key member of CHICKN and Callas, has also participated in albums and bands as a guitarist (e.g. Prins Obi & the Dream Warriors), producer (The Model Spy), mixing engineer (in Vassilina) and DJ (Complex Shadow, ATH Kids). Very recently, he filed the wonderful “Hello My Name Is”, which is a fitting introduction to the multifaceted neo-psychedelic indie pop universe that treads with one foot, leaving the other foot in the air, ready to lean on anywhere from folk and blues to Motown and disco.

Jef Maarawi, the Greek-Brazilian troubadour next door, looks like the only solo project in town that can reunion with itself. His sound, familiar flawless indie/folk, which gets better with each release, matters little compared to the exuberant, disarming immediacy of a figure as enlightened as he is self-destructive, who could sing heavy folk or poke minimal techno and be just as riveting.

Timetable:
21.00 Jef Maarawi
21.50 Bhukhurah
22.50 Model Spy
*Door open at 20.30

The Model Spy photo: Philippos Margalias

a man can break

an original dramaturgy inspired by peter handke’s “kaspar” and heiner müller’s “horatio”

a performance of self-effacement

a coup breaks out in a peaceful city. in one night, three sisters are forced to change their way of thinking and speaking in order to survive in the new regime. in order to be liked they stop judging, they forget how to think, they give up their ideology. they become the same, clumsy and violent.

director’s note
can i maintain my ideology against survival instinct? do i have an ideology we tell a story of linguistic torture, in which three people are transformed to be useful, smoothed and blunted so as not to annoy. they undergo the invention of typography: their uniqueness is eliminated, they become interchangeable and replaceable. But were they ever truly unique? there is a mechanism that grinds and transmutes, a mechanism that I have unwittingly admired and served. and now i need to exorcise him

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director bio:
Konstantinos Avramis was born in 1998 and grew up in Athens. studied philosophy (Ekpa) and is a final student of the postgraduate program comparative dramaturgy and performance research (Frankfurt/Helsinki). has been involved in playwriting (Kakogiannis Foundation, Marori Theater), acting (Attis Theater), and directing (Mikri Academy). as a dramatist he has worked in theaters in Greece and Finland and in short films, he is a founding member of the Protosi Theater Company. the text of his first complete work “holy agony. on the loom of Eva Palmer Sikelianou” is published by kappa publishing house

April 24-25, 2024
1, 8, 13-14, 20-21, 27-28 May 2024
3-4 June 2024

Extra performances from the 17th to the 19th of June at 21:00

This play is performed in Greek.

We wanted to talk
to create order.
I wish there was some beauty
in a world full of chaos, darkness and noise,
like the one who surrounds us.
Because there are things that happen
and things that happen.
And great loves always happen
and they never happen.

Abelard and Heloise is a play based on a medieval story that
it has taken on the characteristics of mythology. One of the most touching love stories took
flesh and bones in modern Greek drama by Yiannis Kalabrianos. A hymn
to eternal love, to elusive happiness, to the chaos of despair. Two lovers
they are sanctified, exalted in their effort to remain faithful to each other against each other
in the world, in the distance and in themselves. Two heavenly bodies, heading towards
their inevitable meeting and at the same time fatal collision, to seduce us as well
us in their unstoppable orbit. A deeply poetic work, written so unconventionally
as well as this love. A group of young actors come on stage as a dance, for
to tell this first love story as if it were the last. To continue
great loves to be sung till the world fades away.

Special thanks to Aggelos Triantafyllou for providing some of his music from the 2014 performance of the same name.

On April 28, shortly before the official release of her first full-length album “Life in Straight Lines” with music by Heroas from Pineline Music Lab, the 0-100 siren appears live at PLYFA’s Polychoros in a pre-release Live!
The already beloved artist from her first singles and EPs (Clause, Optiki Gonia, Taka-Touka, etc.), in a live performance for a limited number of spectators, gives us a taste of her new record shortly before its release.

Doors open: 20:00

“He grabbed the brushes and started painting.
He went for a spin,
but circles are complete, harmonious shapes.
What he feels, he knows neither what it is nor where it ends
and it is certainly not harmonious.
So press the circle with lines,
An endless straight line
a boring monotony
an inexplicable boredom..
Write the title , in small letters.
the page awoke to the cry of the words,
-stupid…!
he said,…
– and now?”

“Life in Straight Lines”
Athens, 2024
0-100 sirene/Hero
Pineline Music Lab

The internationally renowned performer and choreographer of Butoh, Yuko Kaseki, is coming to Athens together with avant-garde composer musician and performer Kriton Beyer at the invitation of performer and choreographer Vickys Filippa and the Quantum Body Athens Butoh Dance Group.

On Saturday, April 27, PLYFA is transformed into a live sound, lighting and kinetic installation, exclusively inspired by the space itself and vibrating to the rhythms of Butoh, with DIY dark instruments, live electronics and real time responsive lighting.

The three artists will explore the relationship of sound, light and movement based on butoh, as well as the phenomena of (inter)connections, transmission and maximization of the senses aiming at synaesthesia — building live, a bridge, composed power of all these elements, not only for to cross it themselves but to (pro)invite the public to cross this bridge with them.

In the performance “Crossing the LIGHTbridge”, handmade instruments made by Kriton Beyer will be used. His main instrument, the Daxophone, is a dark electric wooden experimental musical instrument, inspired by the original construction plans of its inventor Hans Reichel, slightly adapted to suit Kriton’s aesthetic temperament. Alongside the daxophone, Kriton controls a large number of lamps, fluorescent tubes and projectors in real-time, which are connected to a specially developed proprietary, pedal-like light control system.

Kriton Beyer is a Greek-German musician and composer, who – as a performer and improviser – works mainly with the harmonium and daxophone. He studied musicology in Greece where he collaborated with various local music groups as well as musicians such as Sakis Papadimitriou and Floros Floridis. In 2004 he moved to Berlin, where he was heavily involved in the improvisational music scene of the city.

Since then he has collaborated with many musicians such as Phil Minton, Audrey Chen, Steve Noble, Fred Lonberg-Holm, Axel Dörner, Liz Kosack, Kresten Osgood, Tristan Honsinger, Tomomi Adachi, Richard Scott, Willi Kellers, Matthias Bauer, Antonis Anissegos, Olaf Rupp, Alexei Borisov, Els Vandeweyer, Harri Sjöström, Nicola Hein and Liz Allbee, dancers such as Yuko Kaseki and visual artists such as Akiko Nakayama. Kriton Beyer founded ‘FRAGMENTATION ORCHESTRA’, is a member of the electro-acoustic music trio ‘Uproot’ and the bands ‘Redox Reaction’ and FDBK EXPT.

In his harmonium work, Kriton Beyer uses both the natural sound of the instrument and ‘traditional’ playing techniques as well as preparations, objects and extended playing techniques, while his daxophone playing is characterized by a very personal musical and sonic aesthetic and unconventional playing technique, sometimes supported by the subtle use of electronics. As an improvisational musician, he has performed throughout Europe. His compositions are usually characterized by conceptualism.

Kriton Beyer has also designed and commissioned CinePrompt® music software, which was developed specifically for use in live music performance and live film recording.

Kriton Beyer also curates and manages the concert series and record label “THE PROCRUSTEAN BED”, dedicated to Experimental & Improvisational Music.
www.kritonbeyer.com

Yuko Kaseki is a director, choreographer, teacher and Butoh dancer from Japan based in Berlin. Her artistic research focuses on finding mediums that unite the spiritual with the physical, and every day she trains her perception to find intersections between the unusual and the familiar.
Website

She studied Butoh dance and Performing Art at HBK Braunschweig with Anzu Furukawa and danced in Dance Butter Tokio’s company and Verwandlungsamt in 1989-2000.

In 1995, Yuko Kaseki and Marc Ates founded the cokaseki dance company. cokaseki is an ensemble for performative research around dance, visual arts and experimental music in live events and improvisations in theatre, gallery, venue and film… Since then various members have joined the group in different roles and shifting creative responsibilities. There have been collaborations in numerous international projects with performers such as Christine Bonansea, Sherwood Chen, Megumi Eda, Shinichi Iova Koga, 4RUDE, Minako Seki, Lisa Stertz, Valentin Tszin, Teo Vlad, musicians such as Antonis Anissegos, Kriton Beyer, Audrey. Chen, Contagious, Kirikoo Des, Axel Dörner, Echo Ho, Emilio Gordoa, miu, Nguyễn + Transitory, Yasumune Morishige, Olaf Rupp, Tot Onyx, Sasha Pushkin, SEQUOIA, Kazuhisa Uchihashi, Xenon, and visual artists such as Nikhil Chopra,
Morvarid K, Sarane Lecompte, Arata Mori, Justin Palermo, Chiharu Shiota, Peter Zach and others.

Solo and ensemble performances, collaborations and improvisations are performed throughout Europe, Georgia, Turkey, Russia, Japan, Taiwan, Korea, Malaysia, Thailand, Indonesia, India, Burkina Faso, Canada, Mexico, Brazil, Chile, Uruguay, Argentina, Australia , and the USA.

These works are accumulations of poetic and vivid images that embody the spirit of Butoh, and her interpretation aims to reflect the existence of openness.

Her strong interest in breaking the boundaries of physical expression leads to inclusive works with mixed artists such as Theater Thikwa (Berlin), Roland Walter (Berlin), Sung Kuk Kang (Seoul), Zan-Chen Liao (Taipei).

Yuko Kaseki has been performing and hosting the ‘AMMO-NITE GIG’ improv series (vol. 1-48 and on) with international performers and musicians since 2004.

Nominations/Awards:
– “Ame to Ame” won “Best Ensemble Performance” and was nominated for “Best Choreography”, – “Best Composition”, “Best Visual Design”, 2004 Isadora Duncan Dance Award in San Francisco, USA.
– “c(H)ord” collaboration with inkBoat received “Out standing Achievement in Performance-Company”, 2009 Isadora Duncan Dance Award in San Francisco, USA.
– “Tooboe” was nominated for “Outstanding Production”, The 2007 Dora Mavor Moore Awards in Toronto, Canada.
– “To” Collaboration with Tableau Stations nominated for “no-ballet, International Dance Competition 2012”, Ludwigshafen, Germany.
– “Let My Fish Loose” nominated for “no-ballet, International Dance Competition 2007”, Ludwigshafen, Germany
– “Kudan” was nominated for the “Toyota Choreography Award 2004” in Tokyo, Japan.

Vicky Philippa is a dancer, choreographer and teacher of butoh, one of the few representatives of the genre in Greece. From 2008 until today, she has been intensively teaching, directing and choreographing, presenting her works in Greece and abroad, while organizing seminars and performances with international artists and teachers of the genre with whom she has entered into several important collaborations.

He has studied, among many others, with the masters of the genre: Yumiko Yoshioka, Valentin Tszin, Koseki Sumako, Yuko Kaseki, Sainkho Namtchylac, Atshushi Takenouchi, Katsura Kan, Imre Thormann, Espartaco Martinez, etc.

In 2015 he founded the performing arts group Quantum Body Ahens Butoh Dance Group, which over the years has developed into a butoh community in the heart of Athens, counting over 40 permanent members and is one of the largest butoh groups worldwide. It is an independent group that with its actions tries to transmit the radical practices and aesthetics of butoh and bring the Greek public into greater contact with the genre, while building bridges of cooperation with foreign artists. Her vision is to contribute to the alternative scene of Athens by creating a new vocabulary, kinesiology, acting and speech called “quantum body”. The group is supported by its members and by the people who follow it in its actions.

Finally, she has studied mathematics, graduating from the University of Crete and then continued her studies at postgraduate level in the field of Bioinformatics and is a PhD candidate at the Medical School of Athens.

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Choreographers Iota Peklaris and Vasia Zorbalis explore the imprinting of time through the materiality of the body – organic and non-organic – in the direction of the multi-sensory accessible artistic work.

In a space overwhelmed by polymorphic balloon formations, the performers create kinetic and sonic dilutions and densities, mapping its dimensions. The performative dimension of the work brings to the surface a very interesting counterpoint: the balloons, like dancing butoh beings freeze time, making visible the air that occupies the shape of the space and fills the gaps between the bodies. They thus interrupt the uncontrollable alternation of past, present and future events necessary for the understanding of time, while contemporary sound-kinetic composition glorifies periodicity and synchronicity. In this fluid, performative hospitality space, an ever-moving human resonator acting in a condition of pre-established harmony echoes and tunes in a constant reminder of the unpredictable and ephemeral.

The choreographic research balances between the visual and the auditory, having a parallel address to sighted, non-sighted, hearing and non-hearing people. Delving into an interdisciplinary performative practice, body music, the kinetic performance explores the physicality of sound, which manages to vibrate both the ears and the eyes/gaze. The extra-verbal language of b(l)alun transforms the viewing into a universally experiential, collective experience, an artistic meeting-prompt, which is not limited to the standard tools of accessibility but discovers and cultivates innovative, alternative interpretive tools of inclusion.

Ermira Goro’s new dance performance entitled “Sirens” invites the audience on a sensual and mysterious journey into the world of desire and its social expression.

Hara Kotsali and Antonis Vais are transformed on stage, expressing through their movement a story of dreams and freedom.

The two bodies appropriate and reject stereotypical gender roles, creating an idiosyncratic language of self-expression. The original musical composition of the show is signed by Jeph Vanger.

Archives: Events

BLUES MOON

TOGETHER

KARAGIOZIS PLAYS THE PIANO

SXEDONFEST

/oRt I.

ABELARD and HELOISE by Yiannis Kalavrianos

LIVE+ALBUM RELEASE PARTY

CROSSING THE LIGHTbridge_EXIT

B(L)ALLOON

SIRENS