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Maria Laina’s play “The Food”, after a successful cycle of performances (2018-19), is staged again, at PLYFA, directed by Dimitris Lioliou.

This play is performed in Greek.

15, 17, 22, 23, 29 & 30 March 2024
5, 6, 12, 13 23 & 30 April 2024

Eating in the theater is usually not allowed. Beyond the purely biological, the human need for food reveals and refers to more than one form of hunger. A powerful and idiosyncratic text of modern Greek drama for six unique performances.

Director’s note

An open dialogue about what we define as food. “Food is our innocent victim and we have to acknowledge that.” A death, the affirmation against life. How do we perceive this loss and how violent can the moment of coming of age be for each of us? What did we have to sacrifice and what did we substitute? The cannibalism of the self. The projections, the symbols and how abusively we swallow all that we feel in order to survive, to be satisfied. Two parallel and completely different testimonies that, while at first glance, do not converge, compose a pattern for how man perceives and deals with a traumatic experience.

The poet Maria Laina, on the occasion of the first upload of the show, said:

“However, I am impressed that a young man, with a lot of appetite, like Dimitris Liolios, was interested in such a text; wild, by the way, that has to do with loneliness and madness, with what we say or what others they say two in one. In the text, of course, the opposite happens, we have one in two, a schizoid condition. I confess that his glance excited me with curiosity and astonishment, and his overflowing enthusiasm persuaded me to leave it in his hands.’ (Interview on Sunday’s BHIMA)

For “The Food” they wrote

Katerina I. Anesti “Food, love, dominion, death, annihilation and again food, pleasure and rejection, and the unknown, the familiar and the unspeakable. Pollutants from the stage and Liolio and Lilikaki. You don’t see blood, flesh. But it’s there.” (protagon.gr)
Ioanna Vardalahaki “And after everything has been eaten, others, time, love, man turns to himself.[..] The heroes and their speech are the meaning, the performance and the scene.” (clickatlife.gr)

Kostas Zisis “A melancholic but deeply and essentially focused performance: a hymn to the Sisyphean suffering of man, to his eternal hunt for survival in the world: to the conquest of food and love. Because that’s the only way we survive.” (all4fun.gr)

Maria Mari “Without any image or stage object, it presents the viewer with this salivation, which accompanies the feeling of hunger and need, the vital need for food.[…] Sensation, pleasure, morbidity, melancholy , utter solitude, desolation.” (theatromania.gr)

Argyro Bozoni “Excellent work. Nice to get ahead of those who will say that such texts are difficult in the theater. No, they are poetic and easy, they tell a story that concerns us and we all know it.”

Dimitris Fallieros “You are struck by a show that talks about things that are not easy: about all forms of hunger, about love, about human psychosis, about the power of habit, about loneliness[.. ].’

Performing Arts Award 2023
From the Association of Theater and Performing Arts Critics

After its extremely successful presentation in May 2023, the performance “SEBASTIAN” by the group Nova Melancholia, directed by Vassilis Noulas, returns for six performances at PLYFA from February 6, 2024.

The show was honored by the Association of Theater and Performing Arts Critics with the Performing Arts Award for the 2023 artistic season.

Director’s Note
Sebastian is a polyprismatic archetype, a kaleidoscope, an avatar of desires and moods. Reflecting on the tradition of the martyrdom of Saint Sebastian, as it is reformulated through the dense figurative representation in Western art from the early Renaissance onwards, we focus on concepts / sensations / symbols that touch our own sensibility and imagination. The performance is the totality of its cultural references. We read poems, reenact paintings, act, pose, sing, dance, get inspired by the tradition of an eccentric, experimental cinema. We are interested in the co-emotional and embodied practices through which we today can relate to such a symbol.

Sebastian is associated with youth, beauty, sports, archery, carnal pain, hideousness, homoeroticism, martyrdom. A primary co-signification around Saint Sebastian (since the Middle Ages) is the Plague, the Black Death. We associate the tradition of homoeroticism around the figure of Sebastian, with the AIDS disease that was considered in the 80’s and 90’s a kind of “gay plague”. Like people at the dawn of European modernity, we too today resort to Saint Sebastian as an apocalyptic symbol of evil. The show is dedicated to those who take the risk to go from vision to experience, from representation to performance, risking the misunderstanding of existence.

More information about Nova Melancholia, and the performances it has presented, can be found at novamelancholia.gr

* The show is dedicated to HIV positive activist Zackie and experimental filmmaker Kenneth Anger who died in May 2023

This play will be performed in Greek.

In a lettuce garden, at the top of a tree, on the highest mountain, under a water lily and next to a stone take place five hilarious (or not) inclusive stories starring characters from across the animal kingdom and inspired by Alessandro’s book Boffa “You are a beast, Viskovic.”

A transsexual snail, a germ with an inferiority complex, a chameleon in search of identity, a dominant male moose and a suspicious finch introduce us to the wonderful world of animals, teaching us how important it is to be yourself. Or not.

In an attempt to render the world of animals with a human eye, we invade a parallel world where the characters, presented as animals, resurrect human stories.
The notes of the music travel with the plot and the images reach a world balanced between the human and the animal.
Questions deep and unresolved, make us wonder if the answers are always the destination, or if the questions ultimately give the journey a meaning.

A performance inspired by the short story “Ai George” by D. Hatzis.
Four actors construct the stage space in order to tell the story in a stage narrative that the constitution of the space and its boundaries are constantly undermined
The question that arises is one and it comes back in multiple ways • the weakest of us humans, how do they live? Can they be happy, fall in love, have a right to dream of the piece of the pie we call collective happiness?
No matter how guarded you are, no matter how small your dreams are, no matter how humble you approach your happiness, when you are on the side of the “defenceless” even Love or Light can tear you down, burn you
A show about people who try to live like everyone else and fail
In the performance, a short excerpt from G. Kontrafouris’ play, “The children mourn” (1997) is heard.

This play is performed in Greek.

“This load of logistics that mom has on her head is huge! To take a break from what I live, I go to the greengrocer, my friend…”

A new mother finds that raising children under conditions of social pressure and incessant “well-intentioned” instructions ends up being an arduous and intensely lonely job. Is she the only one who feels this way? Is she a bad mother?

Aphrodite Mitsopoulou’s play Agoromana continues for a 2nd theatrical season in Athens and returns in January 2024 to the PLYFA stage. The work explores, chronicles and deconstructs the experiences of motherhood and fatherhood, gradually illuminates gender roles that continue to exist today, and boldly unravels the thread of violence against women*.

Between stand-up comedy, documentary and musical performance, Agoromana is an honest opening into the world of motherhood and parenthood in general. Aphrodite Mitsopoulou and Iakovos Molymbakis manage to exonerate the negative emotions that can torment a new parent and embrace the embarrassment and insecurity he experiences. In a world of superficial perfection, mistakes and confusion serve as a reminder that we are human.

Each show features different guests on stage, who share their own parenting story.

“Motherhood is like a sacred thing that everyone respects — until you get the trolley that everyone curses you for having a stroller to get into at 15.”

“You basically fall into the sea and swim. And it’s a storm.”

“Anyway, I’m not having a child with a man again.”

*During the show there are clear references and descriptions around the issue of obstetric violence. If you are a victim of obstetric violence, do not hesitate to seek help and support from certified professionals and agencies.

“The Descendants”, a story about two brothers who never met. A devised musical performance in dramatic composition and interpretation by Iros Bezos and Christos Thanos, at PLYFA from January 11, 2024.

This play is performed in Greek.

Two brothers meet for a once-in-a-lifetime moment, just to fulfill the prescribed debt, which the deeds of their ancestors determined. An eternal story about the unbearable burden that is carried from generation to generation and comes to settle, unshaken, on the backs of the last descendants.
There are no more ideal figures in the world theater to express the consequences of this burden than Electra and Orestes.

The performance consists of texts by Yiannis Ritsos, of ancient tragedies as well as originals, placed in a musical universe.
The music is performed live with the participation of Panagiotis Gikas and Teos Foinidis

How ephemeral can a love be – close to the waves?
A half-baked love, a two-way love, a love in the imagination or not.

HATE!
Shakespeare does not care so much for the aesthetic effect, he is a master of reasoning and adventure of feeling. He seems to be overseeing the whole world but never forgetting death.

If we went on a trip to the sea?

You have sand in your towel,
Watermelon on your lips,
November in your summers.

The students of the 3rd year of the Theater School “delos” – Dimitra Hatoupi present the performance
“WHY DID YOU ORDER ME SUCH A NICE DAY?”

Based on Shakespeare’s 154 Sonnets realized through forty days of research using improvisations of voice, rhythm and the function of the choral condition.

Let’s swim together.

There will be a financial assistance box for the expenses of the 3rd Year degree exams.